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Neil Brand
has been accompanying silent films for over 25 years, regularly at the
NFT on London's south bank, throughout the UK and film festivals and special
events throughout the world, including Australia, New Zealand (twice),
America, Israel, Sweden, Denmark, France, Germany, Ireland, Luxembourg,
and, in Italy, the Bologna, Bergamo and Pordenone festivals where he has
inaugurated the School of Music and Image.
Training originally as an actor, he has made his name as a writer/performer/composer,
scoring BFI video releases of such films as South (Shackleton's Journey
to the South Pole), The Ring by Alfred Hitchcock, the premiere of the
great lost film The Life and Times of David Lloyd George and Early Cinema,
avant-garde cinema and Russian pre-Soviet cinema. He has recently scored
new DVD releases for the Danish Film Institute and Lobster Films, Paris
as well as a highly acclaimed jazz score for the 1927 Anna Mae Wong movie
Piccadilly (BFI video) which premiered live in September 2003 at the Lincoln
Centre, New York and the Barbican concert hall in March 2004. His most
recent scores are for The Cat and the Canary (1927) and the Laurel and
Hardy short ‘You’re Darn Tootin’, commissioned by Paul
Merton with sound effects provided by the audience. |
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Original cartoon by
Harry Venning,
comedy genius and creator of
'Clare in the Community'
and 'Hamlet' |
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He has appeared live with Paul Merton in Bristol Silents ‘Slapstick’
weekend, in Edinburgh, Brighton, on Room 101 and at the Comedy Store
in London and toured UK and US universities with his own show, ‘Where
Does the Music Come From?’ Last year he appeared in Ken Loach’s
‘The Wind that Shakes the Barley’ and this year he will
be touring for the first time to Finland’s ‘Midnight Sun’
Festival, Padua Opera House, Kilkenny comedy festival and nationally
in the UK with ‘ Paul
Merton’s Silent Clowns’. Also this year he will take
his one-man show ‘Neil Brand – the Silent Pianist Speaks’
to the Edinburgh fringe.
He has written the title music and many scores for TV documentaries
including Paul Merton’s Silent Clowns, Silent Britain, Great Britons,
The Real Stephen Hawking, The Crimean War, In The Wild : Pandas with
Debra Winger, Great Railway Journeys and Comic Relief: Balls to Africa
and scores for over 60 Radio 4 dramas including War and Peace, the Box
of Delights, Brideshead Revisited, The Midnight Folk, three of the BBC
audio Shakespeare Collection plays and Sony award winner A Town Like
Alice.
His book, Dramatic
Notes (published by Arts Council Publications/University of Luton
Press) is an introduction to the world of scoring music to drama with
a series of interviews with distinguished practitioners. He also co-devised
the Backtracks CD-ROM for Channel 4/BFI.
He writes music for theatre, has written two award-winning musicals
and eight radio plays including the Sony-nominated ‘ Stan’
(which he subsequently adapted to great acclaim for BBC4 TV) and the
Tinniswood prize-nominated ‘Getting the Joke’. Neil has
twice presented the Radio 2 arts programme, is a visiting professor
of the Royal College of Music, plays the role of Ted the garage owner
in the BBC2’s soap opera for the deaf ‘Switch’, and
is considered one of the finest exponents of improvised silent film
accompaniment in the world
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